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Lambert to the Slaughter

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July 6, 2008, 1:00 PM

Frozen Out on the Ice Road

By Brian Lambert

The indignity of it all.

For fifteen years as the media columnist for a not-quite major daily newspaper, I was flooded/barraged/bombarded (take your pick) with press kits, tapes (then DVDs), and phone calls from publicists for every network and every obscure cable channel and their even more obscure cable shows. Each was more desperate (or more bored) than the last. Each wanted to squeeze five inches of space out of a deep hinterland paper that was at best known to them as one of a hundred names on their calling list.

Smug with a god-like control over their job productivity, I let most of these publicists, usually with sing-songy voices, twist slowly in voice mail hell and then laid on person-to-person indignation when I couldn’t find the screener of Celebrity Sex Kittens in Borneo, which was suddenly generating so much buzz.

Apparently, it is now payback time. As a low, miserable, one-in-a-billion blogger, I can’t even get a ten-minute phone interview with a cameraman–any cameraman–for my favorite summer series, Ice Road Truckers. My request to The History Channel (i.e."History" as it prefers to be known these days) for a quickie with anyone involved in last winter’s production up in Canuckistan was met with a terse e-mail from a publicist saying their policy was not to “place fans in direct contact with our staff.”

“Fans”? Me? WTF!

Like I was going to do one of those Chris Farley-interviews-Paul McCartney numbers on whoever rode shotgun with Hugh “The Polar Bear” in his Peterbilt to Tuktoyaktuk.

Unusual for me, I decided to play back on the "Do you know who I am?" bit. I did briefly consider throwing some statistics at them, verifiable page views here at Mpls.St.Paul Magazine versus murky “readership” numbers at the newspaper. But my pride had been battered enough. Letting The History Channel see me sweat would blow a pretty good hole in my portrait of indifference.

But I am a fan of Ice Road Truckers. The pissy publicist got that right. If my reasons are perverse, I’m not alone. Last season's debut was a bona fide hit for The History Channel. It ain't American Idol, but it drew unexpectedly good numbers.

What I love about it includes the fact that none of the cast of characters is beautiful or sexy. Far, far from it. Most, in fact, are carrying a minimum of sixty extra pounds, and that blubber is buried under six or seven layers of oil-and-diesel stained fleece, wool, and flannel. This is Carhartt chic. What’s more, the setting, mid-winter on the Arctic Circle, assures viewers that nothing will be decided by some mincing “tribal challenge” in bikinis.

Ice Road Truckers, a show about fat, hard-cussing, blue-collar guys hauling sometimes 90,000 pounds of weird mining gear over frozen rivers, lakes, and the Arctic Ocean is the antidote to every silly, contrived, airhead, hard-body/soft-mind “reality” show, including the granddaddy of them all, Survivor.

I mean, these guys are workin’ here.

Moreover (sexist pig alert), Ice Road Truckers is a completely unsparing male world. While the show occasionally ducks behind the scenes to check up on the drivers cooling their jets while their truck gets repaired or phoning home from some cheap motel, it almost never hangs out with them at the local watering holes probing for their deepest fears or how Hugh “The Polar Bear” hurt their feelings when he told them they were “a [bleeping] loser” for shearing off their oil pan.

Appropriate for a male community in an environment that can turn lethal in an instant, there is little to no sympathy for laziness, stupidity, mewling self-involvement, or preening. You do the job, or you don’t. Excuses are for the “I broke a nail!” bikini crowd out on some Fiji atoll playing with lawn darts.

On the Ice Road, if your truck breaks down, it’s your fault. Somehow that seems more like real life.

I wanted to ask a cameraman about the logistics of shooting the show. This second season, which looks great in HD, seems to have more helicopter footage than last year, which helps convey the vastness and stark beauty of the sub-polar north . . . when the sun is up. But as a fan, I’m curious how they assigned the shooting work and how they picked the runs the truckers were making.

If anyone from The History Channel had deigned to speak . . . to a fan . . . I’d have asked them about how the mostly-male viewing demo is working for them, if they've got any income-level demos, and what women viewers, if any, are saying? I would have also told them that Geo Beach, the self-consciously macho “host” of Tougher in Alaska (a show which follows Ice Road Truckers this summer), is self-defeating. (If you have to tell people you’re tough, you’re probably worried they think you’re not, which means you care too much what they think, which means you’re really not that tough.)

Several years ago, while employed by that not-quite major daily paper that The History Channel and others were once so eager to flatter and cajole, I cornered Survivor producer, Mark Burnett, in a Pasadena bar and, playing devil’s advocate, asked him when he was going do Survivor: Duluth with hard bodies in parkas and mukluks eating raccoon livers and swimming under two feet of lake ice?

“Not too bloody soon,” was Burnett’s reply. “This is show biz, Mate.” (Translation: For every layer of fleece and flannel you lay on the hard bodies, your ratings drop 20 percent.)

I told Burnett, an Aussie, that I much preferred his original show, Eco-Challenge, a lavishly produced chronicle of actual teams of super athletes in a non-stop, days-long 300-mile race through jungles, snake-infested swamps, and ocean channels in places such as Fiji and Borneo. Very much unlike Survivor, survival was in peril, and the rigors and endurance were astonishing.

“I liked it, too. But it was hell to shoot. With Survivor, we can contain it and build the story.” (Translation: A camera is always there every time a bikini picks up a piece of driftwood, and the action stops long enough to work on the soap opera.)

On the Ice Road, soap is a pretty much forgotten commodity, and the soap opera pretty much ends when Hugh “The Polar Bear” tells mopey Drew Sherwood, “You’re an ***hole.”

(Programming note: I see that Burnett and History are teaming up for a series retracing Henry Morton Stanley's trek across Africa in search of Dr. David Livingstone, using only a compass and a map. The series, titled, Expedition: Stanley and Livingstone, will be shot this fall for air next year. Cool.)

Comments

Hey Brian, you should have called me, I could have set you up!

Seriously, though, while the network publicist thing is very confusing right now. I have a series of pieces about TV criticism in the digital age getting ready to launch tomorrow, and it covers some of the things you mentioned above.

For instance, there's one new cable show premiering in July where I've dealt with the network publicist, an outside PR firm that deals with the "digital press," another firm that deals with "bloggers," as well as someone from the production company. They're all pitching different things and don't seem to talk to each other.

And don't get me started on the TCA.

LAMBERT: As I've mentioned before, Rick Ellis writes allyourtv.com, a remarkably comprehensive site on all things television. I heartily recommend it. the "TCA" he mentions is the Television Critics Association, of which I was a member back when the paper I was working for had an interest in covering the full range of television's cultural impact. The TCA, its membership diminished by cutbacks at papers across the country, is struggling to assess "credibility" in the new age, where bloggers like Rick take a far more serious and thorough look at television than second, third and fourth tier daily papers.

I've tried to enjoy Ice Road Truckers without success. For me, it's a numbing (and not for the cold temps), tautological series with no disernible arc of drama from hour to hour other than the drive from A to B.

The cutaway shots from under the ice of the dark specter of the passing semi and its trailer toting some behemoth mining device are an impressive and ominous couple of seconds viewing.

LAMBERT: Another question I wanted answered was if the producers had given up on the "dramatic competition" between truckers making x-number of runs. I could not care less. I like the cinema verite. Again, terrific in HD.

But as much as the show struggles to hype the danger, which is, of course, very real, when it comes down to it, these guys just drive on ice; something we all do. Everyone drives. And in this state, a lot of people drive on frozen bodies of water. This is in contrast to, say, "Dedliest Catch," where the skippers are coping with conditions virtually none of us have faced--The Bering Sea. Even that show gets to be like "Groundhog Day," with one episode barely discernible from the last. But the characters are better and more diverse. And the danger is greater and more exotic with many more of them dying in a season than do these truck drivers.

Plus there is the inherent drama of life aboard ship and the relationships between the crew and tensions of the ship hierarchy, family members, etc. Guys who live in squalid isolation are really not all that interesting, no matter your gender. That'spart of why they're up there.

Eh. Yes, the IRTs' loads are heavier than the average MN driver's and the ice they're on can give way. But it usually doesn't. And if it does, well, either they get out of the cab in time or they don't. The shots from the cab of the trucks looks no different from any trucker driving any truck. That's how they're able to hang onto those extra 60 lbs. They really don't do much more than just sit there and steer. Not very dramatic to witness.

Basically, what the job really demands is the ability to live an isolated and boring life interacting with irrascible, monosyllabic men desperate for money punctuated here and there by a harrowing drive across frozen ice. I have no more insight into how they can stand such tedium than I do the ability to devote time watching them endure it.

But I bet if you bought the DVD set there'd be "extras" on it covering the demanding production conditions for the crews and how they cope and get their shots. "Deadliest Catch" devoted an entire hour to it.

I have a feeling, Mr. Lambert, that if you got a hold of someone at History and asked about the dramatic competitions that you find unnecessary (Whether loads run, log loads hauled in Ax Men, or pounds of crab in Deadliest Catch), that is where you would find the appeal to female fans. While watching men in constantly life-threatening situations is compelling TV, making it a competition takes away some of the unease that as a viewer, you are not waiting (hoping) for a disaster, but rather pulling for your favorite boat (the Northwestern) to pull in the most crabs. It's like watching Deal or No Deal, if some of the cases held poisonous snakes.

As for those ominous under-ice shots Mr. Leinfelder referred to, I have a feeling the camera guys set up that shot once or twice, and use the same footage over and over. So if you do get a hold of someone at History, don't ask them to reveal all the tricks. It takes away from the fun.

LAMBERT: There's plenty of stock footage in "Ice Road Truckers". But for some reason I just don't care that much if it is Hugh or Alex who hauls the most loads or most tonnage. I'm OK with them cussing out Drew over the CB.

Ahem, you may be interested to know of a certain local production firm that is currently actually "producing" a series for the History Channel.

You know who to call....

Gee, thanks, Erin, and here I thought the videographers were diving down holes in the ice like so many harp seals to get a seperate below-ice shot of each passing ice road trucker in real time.

My point was merely that it was the only compellingly cinematic shot in a show about guys who drive trucks on ice.

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